Name: The Constituent
Start: 2024-06-13
End: 2024-08-10
Location: Old Vic

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The Constituent - LON [41277]

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The Constituent

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‘I am not your punch bag! I am a Member of Parliament!’ 

An MP with an instinct for compassion. An ex-serviceman with a life in free fall. And a parliamentary protection officer who’s having none of it.  

Born in Beverley in 1977, Anna Maxwell Martin is an award-winning television and stage actress. She is best known for her stage role in *His Dark Materials* at the National Theatre and is currently starring in *The Constituent* at the Old Vic.

Growing up, Maxwell Martin would often take part in school productions, but eventually went on to read History at the University of Liverpool. After her undergraduate studies, she decided to pursue a professional career in the arts, graduating from the London Academy of Dramatic Arts and quickly making her professional stage debut.

Maxwell Martin made her London debut in *The Little Foxes* at the [Donmar Warehouse](https://www.londontheatre.co.uk/theatres/donmar-warehouse) in 2001, before a series of National Theatre appearances in *The Coast of Utopia*, *Honour* and *Three Sisters*. In December 2003, she starred in the two-part stage adaptation of Philip Pullman’s *His Dark Materials* as Lyra Belacqua, receiving an Olivier Award nomination. [In a review for LondonTheatre.co.uk](https://www.londontheatre.co.uk/reviews/his-dark-materials-part-one-and-two-2004), she “gave a phenomenal performance as Lyra… and is able to express anger, inquisitiveness, and loyalty with all the fierceness and passion that only those who still possess the simple candour of children are able to do.” 

After a few years in shows at the National, Maxwell Martin appeared in shows across the capital, including *Dumb Show* at the Royal Court and *Other Hands* at the Soho Theatre. In 2006, she was cast as Sally Bowles in *Cabaret* at the [Lyric Theatre](https://www.londontheatre.co.uk/theatres/lyric-theatre), staying in the role for six months.

More recently, her stage credits include *King Lear* at the National in 2014, *Consent* at the National Theatre in 2017 and *Constellations* in 2021 alongside [Chris O’Dowd](https://www.londontheatre.co.uk/actor-profile/chris-o-dowd).

Maxwell Martin’s television CV is as lengthy as her stage credits. She’s won BAFTA Awards for her roles in *Bleak House* and *Poppy Shakespeare*, as well as acclaimed performances in *South Riding* and Motherland and *Line of Duty*.

Anna Maxwell Martin - LON

Four stellar and diverse pairings explore the infinite possibilities of the multiverse

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Constellations - LON [23192]

Constellations

Constellations - LON [23192] Product Media

The inspiring multiple-cast run of Nick Payne's multiverse play&nbsp;<a href="https://www.londontheatre.co.uk/show/constellations-vaudeville-theatre">Constellations</a>&nbsp;continues to wow in the West End. Us lucky critics have already seen two pairs - Sheila Atim and Ivanno Jeremiah, and Zoë Wanamaker and Peter Capaldi (<a href="https://www.londontheatre.co.uk/reviews/constellations-vaudeville-theatre-sheila-atim-ivanno-jeremiah-zoe-wanamaker-peter-capaldi">reviewed here</a>) - as cosmologist Marianne and beekeeper Roland. In Payne's skilful dramatisation of the infinite variations in parallel universes, the couple variously get together or don't, break up for different reasons, get married or don't, and face a major health crisis.Now, it's the turn of the first same-sex casting, Russell Tovey and Omari Douglas, and probably the starriest pair yet, <a href="https://www.londontheatre.co.uk/actor-profile/anna-maxwell-martin">Anna Maxwell Martin</a> and <a href="https://www.londontheatre.co.uk/actor-profile/chris-o-dowd">Chris O'Dowd</a>. Once again, Michael Longhurst's impeccable revival (with vital creative work from Tom Scutt, Lee Curran and David McSeveney) shows the strength of this piece, which is powerful in every single reading, but flexible enough to allow for fascinating new interpretations.With her lightning-fast delivery and expressive face, Maxwell Martin conveys Marianne's brilliant mind perhaps best of all the performers in this season - and how that sometimes leads to a certain social awkwardness, as she shoots out a joke, then pulls an agonised expression when it bombs, or flips into hysterical giggles. It also makes the loss of that facility due to illness particularly horrifying: it's such an essential part of who she is. In the later scenes, Maxwell Martin accesses a raw agony.O'Dowd is her charming opposite, all warring insecurities and physical tics. There's perhaps an overreliance on bits of business (tying of shoelaces, doing exaggerated exercise warm-ups), but a neat example of how connection can click when two people are in the same headspace: on one date, O'Dowd's Roland is more drunk and Marianne, hot-tempered in Maxwell Martin's reading, quickly grows irritated; in another, they're both merrily tipsy and it eases them into further intimacy.O'Dowd lands the comic moments expertly, such as Roland having his mind blown by the notion of cosmic predestination, or suddenly finding there's an alarming audience for his fumbling proposal. Both actors could project their performances a little more, but there's plenty to enjoy here.However, for me, the out-and-out winner of this quartet is the pairing of Tovey and Douglas - the latter building on his superb work in recent TV hit It's A Sin. Douglas makes the most radical choice with the academic character, here changed from Marianne to Emmanuel: instead of making him prickly and closed off, he uses that brilliance to be playful and flirtatious.&nbsp;<div style="text-align:center"><figure class="image" style="display:inline-block"><img alt="" height="500" src="https://images.ctfassets.net/6pezt69ih962/2lo5Jy9Pe39BxpJEKcQFLz/7891bcdf346ebf94cc59e47bb8bfb571/Omari_Douglas_and_Russell_Tovey-Constellations_750x500.png" width="750" /><figcaption>Omari Douglas and Russell Tovey in&nbsp;Constellations&nbsp;(Photo by Marc Brenner)</figcaption></figure></div>There's an immediate heat between the two men, even as they tease out that extra layer of whether the other man is queer; Tovey refers first to a wife, then a husband. The elbow-licking opening salvo has never seemed quite so sexy, and the honey exchange is given a simmering subtext, along with little touches and articulate body language that conveys so much more. Their first kiss is all smouldering intensity; the marriage proposal draws cheers and applause.The sheer authenticity of that emotional connection raises the stakes of the whole play: you invest in them not just because you want this couple to beat the multiverse odds, but because you care about them wholeheartedly. And though of course our society has improved immeasurably when it comes to LBGTQ+ acceptance, there's a slight sense of fragility - that it's even more special when they find each other, and such happiness, and its potential loss is all the more tragic.There's also the most exciting variation here between each repeated scene, with both actors taking big swings - whether leaning into the darker conflict, including a moment of shocking violence, or revealing new shades of each character. The dancing sequence is a highlight, as is the sign language scene, and, later in the story, their wrestling against a terrible inevitability feels utterly human, and universal.This experiment has been an absolute triumph: a creative response to Covid necessity, and a reminder of the boundless magic of theatre. Bravo.<a href="https://www.londontheatre.co.uk/show/constellations-vaudeville-theatre">Constellations is running at the Vaudeville Theatre until 12 September. Book tickets to Constellations today.&nbsp;</a>Photo credit:&nbsp;Anna Maxwell Martin and Chris O'Dowd in Constellations (Photo by Marc Brenner)

‘Constellations’ continues to triumph with new acting pairs in the multiverse

The Vaudeville Theatre is one of the most distinguished theatres in London. Perched on the Strand in London's West End district, the theatre has been a pillar of the city's performing arts scene and a symbol of London's rich cultural history. With a capacity of 690, it offers an intimate setting that brings audiences closer to the performances. The auditorium, embellished with opulent detailing, provides a breathtaking atmosphere that exalts the theatre experience. Historically, it has been home to notable plays and musicals featuring some of the world's most renowned actors and actresses. Beyond its aesthetic beauty and historic significance, it is celebrated for its commitment to presenting excellent productions which cater to a wide variety of theatrical tastes.### How to Get to the Venue ###It is readily accessible not only to the locals but also to foreign tourists. For those planning to arrive by tube, the nearest station is Covent Garden which is approximately 5 minutes walk. Alternative tube stations include Charing Cross (10 minutes walk) and Holborn Station (11 minutes walk). For anyone planning to use a bus, services 6, 9, 11, 15, 23, 77A, 91, 139, 176 all stop near the theatre. Those driving are suggested to use the MasterPark at Trafalgar Square and Chinatown car park.

Vaudeville Theatre - LON

Vaudeville Theatre

The Vaudeville Theatre is a historic venue in London's West End, known for its intimate setting and diverse productions.

The Old Vic is amongst London's most revered theatre venues, situated in the heart of the bustling city. Founded in 1818, this prestigious establishment continues to attract audiences with its dynamic array of world-renowned plays, ballets, operas and pantomimes. With a seating capacity of over 1,000, the richly decorated auditorium offers an immersive and intimate experience for all spectators. The Old Vic's enchanting neoclassical exterior and swirling marble foyers take you back in time, while its state-of-the-art sound and lighting system provide a modern and truly spectacular performance environment. Its stellar shows often star internationally acclaimed actors and directors. Over its 200-year legacy, the venue has been the home for breakthrough performances and debuts of some of the greatest plays in theatre history. 

**How to get to the Old Vic Theatre:** The Old Vic is conveniently located near multiple transport links. The nearest underground station is Waterloo, served by the Northern, Bakerloo, Jubilee, and Waterloo & City lines. The theatre is only a short 4-minute walk away. Bus routes 1, 68, 168, 171, 172, 176, 188 serve the area around the theatre. If you are driving, the nearest car park is the Waterloo Car Park located on York Road.

The Old Vic - LON

Old Vic

The Old Vic is a historic theatre in London known for world-class performances. It's conveniently accessible via Waterloo station and local bus routes.

Born in Beverley in 1977, Anna Maxwell Martin is an award-winning television and stage actress. She is best known for her stage role in His Dark Materials at the National Theatre.

Anna Maxwell Martin - Stars on Stage | London Theatre

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Zachary Hart is currently starring in *The Constituent* at London’s Old Vic Theatre.

Hart’s other stage credits include Philo/Claudius in *Julius Caesar* at the Bridge Theatre in 2018 and Billing in *An Enemy of the People* at the Duke of York’s Theatre in 2024, which also starred Matt Smith.

On screen, he has appeared in the 2022 film *Jericho Ridge* and TV series such as *Bodies, The Witcher, Peaky Blinders*, and *Masters of the Air*.


Zachary Hart — LON

Zachary Hart’s stage credits include Philo/Claudius in *Julius Caesar* and Billing in *An Enemy of the People*.

Zachary Hart - Stars on Stage | London Theatre

Zachary Hart - Stars on Stage

James Corden is currently starring in *The Constituent* at London’s Old Vic Theatre.

He first gained prominence with the BBC sitcom *Gavin & Stacey* in 2007, which he co-wrote and starred in. He has also appeared in films such as *Into the Woods* (2014) and *Cats* (2019), and has hosted major events like the Tony Awards. 

Corden was last seen on stage in 2012, for his performance as Francis Henshall in *One Man, Two Guvnors*, a comedy by Richard Bean, in which he won the Tony Award for Best Lead Actor in a Play. He also starred in the 2004 revival of Alan Bennett's *The History Boys*, both in the West End and on Broadway.

Corden's fame expanded in the US when he became the host of *The Late Late Show with James Corden* in 2015, noted for popular segments like "Carpool Karaoke." 


James Corden — LON

James Corden first gained prominence with the BBC sitcom *Gavin & Stacey* in 2007, which he co-wrote and starred in.

James Corden - Stars on Stage | London Theatre

James Corden - Stars on Stage

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White Rabbit Red Rabbit - LON [42045]

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Ages 8+. Under 16s must be accompanied and sat next to an adult (18+). Everyone must have their own ticket. Under 3s will not be admitted. 

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Ages 6+. Children under 3 are not permitted to enter the theatre. Anyone under 16 must be accompanied by an adult and may not sit on their own. All persons entering the theatre, regardless of age, must have a ticket.

The Lion King - LON [302]

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Mrs. Doubtfire - LON [24395] 

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SIX - LON [12201] 

SIX, ‘the most uplifting piece of new British musical theatre’ (✭✭✭✭✭ The Evening Standard) is the phenomenon everyone is losing their head over!

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Next To Normal - LON [37439]

Next To Normal

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Mean Girls - LON [35503]

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Back to the Future: The Musical - LON [22396]

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THE OLIVIER NOMINATED, WORLDWIDE SMASH HIT IS RETURNING TO THE WEST END!

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Ages 10+. Children under 16 must be accompanied and sat next to an adult ticketholder (18+). Children under the age of 3 won't be admitted. Everyone must have their own ticket to enter.

Hamilton - LON [20561]

Hamilton

The multi award-winning West End production of HAMILTON is now playing at London’s Victoria Palace Theatre.

HAMILTON is the story of America’s Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington’s right-hand man during the Revolutionary War and helped shape the very foundations of the America we know today. The score blends hip-hop, jazz, blues, rap, R&B and Broadway – the story of America then, as told by America now.

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Ages 7+ (recommended). Under 16s must be accompanied by an adult. Under 4s will not be admitted. All children must have their own ticket.

The Mousetrap - LON [333]

The Mousetrap

AGATHA CHRISTIE’S THE MOUSETRAP is the world’s longest-running play. This thrilling West End production – which has become as much of a London icon as Big Ben or Buckingham Palace – is THE genre-defining murder mystery from the best-selling novelist of all time… case closed!

As news spreads of a murder in London, seven strangers find themselves snowed in at a stately countryside guesthouse. When a police sergeant arrives, the guests discover – to their horror – that a killer is in their midst! Which one is the murderer?  Can you solve the mystery before another “mouse” goes SNAP? 

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The Book of Mormon

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Ages 7+. Under 16s must be accompanied by and sat next to an adult (18+). Children under 5 years will not be admitted. All persons attending, regardless of age, must have a ticket.

Wicked - LON [313]

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“London’s No.1 show” (LBC) is back! Celebrating 16 triumphant years at the Apollo Victoria Theatre

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Stranger Things: The First Shadow - LON [29263]

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Harry Potter And The Cursed Child: Both Parts - LON [21176]

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The Old Vic, originally named the Royal Coburg Theatre, was designed in 1818 by Rudolph Cabanel. Its name was later changed to the Royal Victoria Theatre, then the Royal Victoria Hall, before it took on its nickname of 'The Old Vic' as its official name in 1925. 

The Old Vic has housed acclaimed performances with such celebrated actors as John Gielgud’s *Hamlet*, Laurence Olivier’s *Macbeth* and *Othello* in 1937, and Judi Dench’s Juliet in *Romeo and Juliet*, which was privately performed for The Queen in 1957.

In 1963, the Old Vic became the home base of the [National Theatre](https://www.londontheatre.co.uk/theatres/national-theatre) of Great Britain during its formation under Laurence Olivier. The theatre continued to host the National Theatre until the move to South Bank in 1976. 

There are two entrances to the Old Vic: one on The Cut and the other on Waterloo Road, which is an accessible entrance. In 2019, 'Penny', an accessible basement cafe and bar was opened, offering drinks, sandwiches and snacks. 

## Old Vic Seating Information

The auditorium has three levels - Stalls, Dress Circle, and the Lilian Baylis Circle.

Despite the Dress Circle overhang, this doesn’t affect the view due to pillars. There is also a staggered rake that will be noticeable from row J to allow better viewing.

The Lilian Baylis Circle is high above the ground and overhangs the Dress Circle at row C meaning row E will miss the top of the stage. There are also standing seats available at the sides of this circle.

Old Vic - London Theatre

Originally named Royal Coburg Theatre, The Old Vic was founded in 1818. It's been home to acclaimed performances and was the base of the National Theatre of Great Britain from 1963 to 1976.

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